Yearly Archives: 2017

CecilCecil, the actor who played a sea serpent in the 1960’s television show Beany and Cecil, and who was in fact a professionally-trained sea serpent in private life, died on Tuesday near his home in San Fransisco Bay.  He was 58.

His manager, Davey Jones, said the cause was seasickness.

A competent actor with a lispy, fluid voice, Cecil was born Acrochordus Granulatus Zimmerman in 1959.  He formally adopted his stage name later that year, after his eponymous television show became popular among pre-schoolers.

Cecil played a good-natured, bumbling character, loved by all who met him but especially by Beany, a squinty, fatherless boy portrayed by Gilbert Gottfried.  The on-screen displays of affection did not, however, continue off the set — directors complained that Cecil drank heavily, slurred his lines, and often salivated on his co-stars.

After production on Beany and Cecil ended in 1962, Cecil drifted for a number of years before turning to cruise-ship theater in the early ’70s.  His last memorable role was that of the serpent in Shakespeare’s Antony and Cleopatra, for Carnival Cruise Lines in 1978.

Cecil was due to reunite with Beany and Uncle Captain on an episode of Matlock in 1994, but the show was pre-empted on its scheduled evening by coverage of the O. J. Simpson Ford Bronco chase.  The reunion episode was never aired and is now considered lost.

Cecil is survived by his ex-wife Ness and their six daughters, Hydra.

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Cover of Donald Trump Comics (Parody of Action Comics) by Craig H Collins)

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The Fall

We just finished our binge-watch of “The Fall” on Netflix — it is a 17-episode crime drama based in Ireland, starring Gillian Anderson and Jamie Dornan.  The acting and production is gripping, but my purpose is not to review.  Rather, it is how the series raised interesting questions for my spouse and I to hit the pause-button and discuss.  One of them was, have you ever wished anyone dead?  (My answer: Osama bin Laden and Ayman al-Zawahiri.)  This alone is worthy of a little reflection.

The antagonist of  “The Fall” is clearly (from the viewer’s standpoint) a sociopath, and the tension and drama in the series is built around the other players discovering (or not) this fact and appropriately (or not) acting on it.  This led us to discuss what people can do, here or anywhere, when confronted with desperate situations and despotic sociopathic leaders who cannot be un-elected.  Start with Kim Jong-un.  North Koreans suffer and their neighbors are threatened with nuclear weapons.  But Kim is not going anywhere.

Should we hope Kim has a heart attack?  What would such a hope say about us?

“The Fall” also showed how people like to believe other people, especially when it confirms their own beliefs.  Sociopaths take advantage of this, telling us what we want to hear in order to gain credibility.  The story-line of “The Fall” shows how we are particularly vulnerable to this in one-on-one encounters — a sociopath can sway one person more easily than a group.  Unless we compare notes and connect dots, we may fail to see how we are being manipulated.  When, at long last, people do come together and recognize the situation for what it is (and the person for who he is), we can collectively form a plan against the sociopath — if we have the power and resources to do so.

Point: until people amass, compare and confront, their response to a sociopath will be ineffective.  Take this for what it’s worth, on this day after a destructive,  insult-tossing, pussy-grabbing narcissist assumed the role of Supreme Leader of this nation.

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