Today (August 9, 2024, if you read this some other day) is the 50th anniversary of Richard M. Nixon’s resignation in disgrace as the 37th president of the United States.  Back then, believe it or not, a president being caught in a lie — not to mention covering up a crime! — was sufficient grounds for his being impeached and removed from office and never being heard from again.  Impeachment was viewed as such a humiliation that Nixon resigned rather than subject himself and his party to that degradation.

The day Nixon announced his resignation, we were living in our first apartment, about a mile from my seventh-floor desk in Kodak Park’s engineering hub.  Knowing that Nixon would make his resignation speech that evening, I set up my tape recorder in front of the RCA TV in our apartment, and when Walter Cronkite appeared, I flipped the lever to REC.  Nixon’s first words that night were, “Good Evening.”  Yes, it was.

I recorded the entire speech, including Nixon’s self-serving “Man in the Arena” rant where he equated his scheming to remain in office to an imagined valiant struggle against mortal enemies.  This is how narcissists like Nixon view their world.

Most of us thought that Nixon was the worst president ever and were happy he was gone.  We celebrated the machinery of our democracy, and the power of the press, in a subdued, chastened way — we had a close shave but somehow survived.

How quaint it was, that restoring our faith in democracy relied on the offender’s feelings of remorse and responsibility!

Fifty years post-Nixon, Americans still harbor a fantasy that every presidential candidate is George Washington until proven otherwise.  Somehow we can’t get our heads around the idea that a politician would dare put their own interests ahead of the people he or she promises to serve.  How can we still be so naïve?

Demagogues promise everything but deliver nothing.  If we have learned anything about liars and demagogues in the past fifty years, now is the time for us to show it.

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Here are a few things to remember about one’s remembrances:

 💡 My remembrances are no more story-worthy than your remembrances.

 💡 In fact, the vice versa rule usually applies.

 💡 Our remembrances resonate with an ever-dwindling audience of peers, no one else.

 💡 Our remembrances matter most to ourselves, as they are vital to survival. Whatever other import our remembrances have is an invention.

 💡 Remembrances which don’t teach a lesson or presage current problems are devalued (“What exactly is your point?”) and sharing such remembrances is negatively reinforced.(“Pops, that was a long time ago.”)

 💡 We earnestly try to abide by these rules but nonetheless are compelled to recount our remembrances and embellish them with our learnings.

 💡 Why? The why is that we want our actions and experiences to matter, a desire that inevitably grows more urgent the older we get.

 

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VIII. A I L M N O P T

I am a minimal animal

a pinpoint pinto in pain

a nominal limo palamino

a limp impala on a pantaloon plain.

 

I’m a Milano lollipop lion

in a Tampa tilapia nation

I plan to plant lantana in Atlanta

I aim to maintain a plantation.

 

I tattoo a militant motto

on a lamplit Latino mailman

I paint an opal lanolin lotion

onto a manila-tan ottoman.

 

I pop a tall pom-pom piñata

atop a million-mañana platoon

A total timpani militia

on a pliant palatial moon.

 

 

IX. STEPHEN KING POLICE CALL

ROUTE 56 ICE PATCH SPUN OUT OF CONTROL OH THEN THE ANIMALS

 

X. QUINTENT

She believed in justice and reason
He in paths already taken
Together they drifted toward heaven


The brightest cherry
is plucked from the lowest branch
where we see it best.


Money – a store of value
and the story of you:
how you obtained it,
where you hoarded it,
when you let go of it,
what you exchanged it for,
whom you bequeathed it to,
why it meant so much to you,
e pluribus you.


Songbirds do not know
the sour hearts of those
to whom sweetly they sing


I never used a line on you
I never had to
I never had one.

 

 

XI. WHEN THE CIRCUS CAME TO TOWN

229 E. Washington St., New Castle, Pennsylvania, 1973
Kodak 126 Instamatic Film

 

XII. MY HAIR IS NICE

I tell myself
my hair is nice
but that doesn’t make it so

I contemplate
how to disguise
my pate with some chapeau

Mayhaps my pate
should celebrate
how my haircuts take
just a minute

And thus I should
just knock on wood –
my head, that is –
and accept it.

 

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