The new home of Mountain City Arts, Studio 214 in Riverview Station in the River Arts District of Asheville.  Just a half-mile down the road from 12 Bones, President Obama’s favorite barbecue place.  Maybe someday 12 Bones will be dropping my name, not that I’m counting on that or care about that.  For me, it’s a great start to Chapter Two.

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First of all, Ross Douthat is not big.  And he is not fat.  I concede those points*.

Mr. Douthat penned an op-ed piece for the June 29, 2o13, New York Times, in which he claims that Republican voter-restriction efforts were really a good thing for Democrats: “[By] trying to restrict the franchise on the margins, Republican state legislators handed Democrats a powerful tool for mobilization and persuasion, and motivated voters who might otherwise have lost some of their enthusiasm…”

In Mr. Douthat’s bizarre take, it is a good thing when a class of people are oppressed, because the fact of their oppression leads them to rise up against it and become stronger for having experienced it:  “… Voter ID laws … shape voter preferences and influence voter enthusiasm in ways that might well outstrip their direct influence on turnout.  They inspire registration drives and education efforts; they help activists fund-raise and organize; they raise the specter of past injustices; they reinforce a narrative that their architects are indifferent or hostile to minorities.”  In Mr. Douthat’s twisted view of the world, whatever doesn’t kill you makes you stronger — but of course he doesn’t need that kind of test, he’s strong enough already, thank you very much!

If I were Ross Douthat, I would advocate the re-institution of slavery — after all, what better way to help motivate its victims to eliminate racism for once and for all?

* Rush Limbaugh Is a Big Fat Idiot (and Other Observations) by Al Franken, 1996.
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• I’m thinking of joining the Masonite Church.  Its creed: we warp when we weep.

• Someday, in some alternate universe, I will be a restaurant reviewer for a city newspaper and I will be expected to use the word “redolent” as a fancy-pants way of saying “a lot.”

• High co-payments and high deductibles discourage people from seeking medical care, there can be no doubt about this.  People who have to pay their own way in the U.S. health system are induced to make trade-offs that the wealthy and well-insured do not concern themselves with.  Is my vision bad enough to justify the price of these procedures?  Can I live with my heart palpitations or should I keep ignoring them?  When a person knows that seeking care will have a major financial impact on his life, he or she is more likely to delay care until it is so obviously needed that it is too late to preserve or restore health.  But isn’t this what we want?  Our citizens deciding the market value of their own lives?

U.S. health care “reform” does not address this and, it can be argued, exacerbates this with its focus on the health marketplace rather than health outcomes.

So much is made by the conservative elite of the “moral hazard” of seeking unnecessary health care if it is “free” (which means the conservative elite think they are paying for it) but so little is made of the moral hazard of having frugal people deny themselves care only to be subject to more expensive procedures, lower quality of life, and shorter lifespans in the long term.  The answer is, and should have been, Medicare for All.

• Unwritten rule of the road: when two cars are approaching an unsigned intersection, the car with the right-of-way is the one going the fastest.

• I always tried to avoid telling my children I was “proud of them” for one or another of their accomplishments.  As I was growing up it seemed to me that my parents’ pride in what I did had mostly to do with my actions having conformed to their expectations.  So instead, I tell my son and daughter that I am happy for them, which I am.

• My college buddy Eric and I decided to create and exchange CDs of our favorite tunes, some 39 years after we graduated.  The one song that by chance appeared on both of our mixes was not by the Beatles, Stones, Dylan, Hendrix, Grand Funk Railroad (please!) or Led Zeppelin.  It was this one by The Beach Boys.  I must say, we had some good music.

• Speaking of old music, What’s for Lunch (click on link to play) is the last song I wrote and recorded on my four-track tape recorder in my college dorm room in 1974, with my friend Rob playing cymbal and the final guitar solo.  It was the best guitar work I ever did, which isn’t saying much.  The drum set consisted of my mattress, a padded chair with aluminum foil taped to the seat, and the aforementioned cymbal.  I produced the bass part by playing the low strings of my guitar with my tape recorder running at 2x the normal speed, so that the guitar part would be an octave lower upon playback.  As John and Yoko said, play loud.

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