Yearly Archives: 2020

Or, What I’ve Been Doing Half the Pandemic

Fifty years ago, in my college days, I had a four-track reel-to-reel tape deck on which my friends and I would record our original songs, mostly in the confines of my dorm room.  (My belated apologies to the guys in the adjoining rooms.)  Anyway, my fascination with writing and recording songs never left, even after my college friends dispersed and my tape deck rusted.  But thanks to (a) the magic of music software and (b) a new guitar and (c) the privilege of being retired, I’ve been able to re-explore recording.  After five months of tinkering, I was finally able to produce something listenable.

My efforts this year were focused on just one song, Company Man, whose origins date to the early 1980s.  This is the first song I produced from scratch on a digital platform, which allowed me to add orchestration along with editable drums, guitars and even vocals!  I am really amazed at what music software can do, even in the hands of an amateur like me.

Well, enough intro.  You can hear the song here at my ART@CHC site.  As always, please use earbuds or a sound system — laptop speakers are absolutely the worst way to listen.  Thanks for letting me share.  Hope you’ve had the time and energy to be creative too.

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As you all can tell (after living in North Carolina 15 years, I have come to not only accept but embrace you all and how well it fills its linguistic niche), I haven’t posted much lately, not that this is important to you all.  Rather, I’ve spent our tedious post-election days thus: waiting for the grown-ups to stop reading The Baby his favorite stories and put him to bed; avoiding the maskless; trying to keep my weight in check; putting the finishing touches on a recording; and reading a disheartening book.

Said book, published late last year, is Antisocial: Online Extremists, Techno-Utopians, and the Hijacking of the American Conversation by New Yorker writer Andrew Marantz.  I learned of it via a late-night listen to the Making Sense podcast by author/philosopher  Sam HarrisAntisocial is a first-person dive into a subject that has bothered me for years: where did all the trolls come from?  And why does it feel like there are so many of them?*

Marantz’s account starts at the “DeploraBall” [sic] event held in Washington, D.C., on the eve of Trump’s 2017 inauguration.  The event serves to introduce the reader to the various alt-right characters who staged and/or attended the DeploraBall not so much to celebrate Trump’s victory but to take measure of their own strength and congratulate themselves.

Alt-right is probably the wrong, or at least off-target, word to characterize the subjects of Marantz’s book.  The self-styled leaders of this haphazard “movement” grappled with what to call themselves and how to distinguish themselves from Nazis — not because of some philosophical disagreement they have with Nazis but because Nazism is a “toxic brand.”  Me, I would call them social arsonists.  I thought about social anarchists, but that would imply that these abject self-promoters have something like a philosophy.  No, today’s trolls just enjoy making and/or watching society burn, winning attention points along the way.  At least that’s my take from reading Antisocial.

The recurrent theme of Antisocial is this: conflict is attention and attention is influence. This is why those who believe that influence signifies self-worth are led to create conflict.

Like most books, the first third of Antisocial conveys two-thirds of its message.  But it is an important message — if you read just the first third of the book and return it to the library, you will have insights you didn’t have before.  You might be inspired to quit Facebook and treat most meme-posts on social media sites as craven attempts to trigger you, by trolls who only care about elevating and monetizing themselves and take pride in doing so.

Antisocial is both sad and scary.  Sad because it shows how it isn’t “your father’s internet” anymore (let alone your father’s Democrats, Republicans and Libertarians) and how blind we’ve been to the rise of social arson.  And scary, because it reminds us that shared values are like mountains: great things, but once eroded require tectonic forces to rebuild.


* Among the posts in which I railed about trolls: Whence Angry Perturbations, Every Tech Forum Ever, and Indifference to Truth.
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Helicopter Rescue

Thank you, Joe, for taking us aboard, away and back home.

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