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I’m a casual “fine art” photographer.\u00a0 Here “fine art” means that no one else thinks it is art, save for other fine art photographers.\u00a0 (The value I add is the composition.\u00a0 Or so I say.)\u00a0 In any event, the subjects I like to shoot include factories, bridges, buildings, railroads and other totems of urban America.\u00a0 So naturally, I was concerned when my rights as a citizen to take pictures in public places seemed threatened in the wake of 9\/11.<\/p>\n
When the Patriot Act was passed, there was a lot of talk<\/a> about new restrictions on what photographers may shoot.\u00a0 But it turns out the Act itself says nothing about photography<\/a>.\u00a0 What restrictions did arise were based on misinformed, misapplied home-grown justice and the consequent self-censorship by photographers, out of fear of the former.\u00a0 The cop eyeing you suspiciously, as if you were scouting terrorist targets, has a badge and a gun, and you have a camera.\u00a0 You want to keep your camera.<\/p>\n I clearly recall news stories from the 1960s and 70s chiding the U.S.S.R. when it arrested its own people for taking photos near government facilities.\u00a0\u00a0 “Only in the Soviet Union!”\u00a0 we Americans said, in our usual self-congratulatory manner.\u00a0 Now, them is us<\/a>.<\/p>\n A recent story<\/a> on NPR described how police dealt with a city bus passenger who used her cellphone to record them making an arrest:<\/p>\n No charges were filed because the “law” in this case was made up on the spot.\u00a0 However, the act of recording was prevented and the larger point was made.\u00a0 We don’t want you to do this, and we can stop you, and so we will.<\/p>\n In the United States, it is legal to take photos of just about anything while standing in a public place, or even in a privately-owned place open to the public, like a shopping mall.\u00a0 Some nations like France and Germany have stricter notions of privacy, but I don’t live in those nations and neither do our police.<\/p>\n What intrigues me about this photo-paranoia is that it is okay to witness<\/em> but not record<\/em>.\u00a0 To take this further: I may store a scene in my brain without being questioned, but if I wish to record the same scene more faithfully, using a more reliable and permanent medium than my neurons, it raises suspicions.\u00a0 What kind of distinction is this?\u00a0 Moreover, what are people afraid of?<\/p>\n It was nice when we had Soviet Union totalitarians to kick around.\u00a0 Those were the days.<\/p>\n","protected":false},"excerpt":{"rendered":" I’m a casual “fine art” photographer.\u00a0 Here “fine art” means that no one else thinks it is art, save for other fine art photographers.\u00a0 (The value I add is the composition.\u00a0 Or so I say.)\u00a0 In any event, the subjects … Continue reading “One of the officers told me to turn off my phone, because I was recording them.\u00a0 I said no.\u00a0 And then she grabbed me and pulled me off the bus to the cop car, which was behind the bus.”<\/em><\/h5>\n
The police erased the video from Fitchette’s phone. She was handcuffed and spent the next two hours in the back of a squad car before she was released. No charges were filed.<\/em><\/h5>\n